Thursday, December 13, 2012

Wednesday, November 14, 2012

Six Pick Reading Challenge

What a great way to encourage independent reading in students!  Could always have book talks afterwards!

http://www.conversationpieceslearning.org/six-picks-reading-menus.html


Thursday, November 8, 2012

A Raisin in the Sun-Resource Guide

A Raisin in the Sun-Chicago Public Library

Student engagement in grammar

-Try having students look for a particular grammatical items such as quotation marks in books.  See if they can figure out the rules based on what they see in the books.  In small groups then brainstorm what they think the rules are.  Then review the rules together.


Teaching grammar through student writing


Sentence Structure
1.      Highlight the simple sentences in your memoir.  If you have too many simple sentences, revise for compound or complex.
2.      Identify at least 3 simple, 3 compound, and 3 complex sentences from your memoir in the chart below.
3.      You must label the simple and compound sentences with the S(subject), V(verb), and (,conj) conjunction.
4.      You must label the complex sentences with SUB (subordinate clause), put a box around the word that begins the subordinate clause, and circle the comma (,) that comes after the subordinate clause.
SIMPLE
COMPOUND
COMPLEX










Wednesday, November 7, 2012

Students choose their own novels for instruction

Another way to differentiate!  So often teachers tell students what books to read so that we can instruct them on how to read.  However, so much of common core calls for students to be independent thinkers so why not read independent novels for instruction.  This is especially useful when doing genre studies.  Have everyone pick a novel in their reading level from a certain genre.  Students still could still either fill our roll sheets or do the roles in their books using post it notes.  They could still work on specific skills through the novels.  The difference is students have to think on their own about what they read.  You don't have all the answers!  Students could still have discussions about their books.  The discussions will center more around the similarities of the genre then the book itself.  This will also help give students suggestions on other books to read.

Tuesday, September 11, 2012

Cast of Characters from The Golden Compass

Cast of Characters

Symbols in your Worlds-The Golden Compass

Another symbol worksheet from The Golden Compass

http://www.scholastic.com/content/collateral_resources/pdf/g/GC_repro1.pdf

The Golden Compass-Symbolism

http://www.scholastic.com/content/collateral_resources/pdf/g/GC_repro1.pdf

This link will take you to a great worksheet on symbolism for The Golden Compass.

Literary Terms

Creative ways to practice literary terms:


Literary Terms-Extension Activities

 

Create a poem of metaphors – Have students write a poem to describe their favorite vacation. First, ask students to describe what the trip was like, what sights they saw, etc. For example, “The airplane ride was fun but a little bumpy.” ”The Grand Canyon is a hole in the ground.”

Plan a menu using similes – Students will get a kick out of practicing similes with this activity. The students plan a meal but must use similes to describe what’s on the menu. The meal can consist of anything they like. How about cotton candy as fluffy as clouds, or a hot dog as long as a baseball bat? Not only does this activity foster creativity, it’s a great way to add some fun into learning about similes.

Personification – If you remember the classic movie “The Wizard of Oz,” everything and everyone had a voice. The lion, the scarecrow, the tin man and even the trees could talk. Have students personify objects in the classroom. If a chair were a person, what would it think about people sitting on top of it all day long?

Advertising – Create a new advertisement for a product using a metaphors or similes. ”Try Gembright for a smile that sparkles like diamonds.”

Tuesday, September 4, 2012

When is stealing ok?

This article in the New York Times brings up the question is it ok to steal?  Students are encouraged to think about these questions:
How you feel about this moral gray area?
Would you agree with the academics who separate these actions into the three levels described above?
Would you say that taking food to feed your starving family is okay, while looting a plasma-screen TV is not? Why or why not?
 How do you think you would behave in such a situation?



http://www.nytimes.com/2010/03/07/weekinreview/07mcneil.html?_r=1


Monday, August 20, 2012

Author's Craft-Writing resource but could also be used to teach author's craft


Author’s Craft
“technique”
Description
Advantage
Strategy for Teaching
Resource(s)





Finding my Focus
Narrowing a topic
Eliminates rambling and helps writer to make a point
Pizza Pie slice graphic organizer and teacher modeling
Ralph Fletcher
CRAFT LESSONS

Shrinking a Century
No need to tell a story minute to minute; gloss over the insignificant
Eliminates “Bed to Bed” stories; gets to the points of interest
Reading many literary examples and teacher modeling
Barry Lane
REVISER’S TOOLBOX p.114-118 and AFTER THE END p.75-77; 78-79
Snapshots
Sharpen the image of a character or the setting; zoom in
 Adds description; gets rid of fuzzy writing
Binoculars lesson; teacher modeling; writing opportunities
Barry Lane
AFTER THE END p. 32-60
REVISER’S TOOLBOX p.74-79; 245-246
Thoughtshots
Give the reader insight into what the character is feeling
Develops characterization and adds content
Literary examples, teacher modeling, writing opportunities
Barry Lane
REVISER’S TOOLBOX p.90-95
AFTER THE END
p.44-51
Exploding a Moment
Build up the suspense or excitement by slowing down the action
Adds tension
Graphic Organizer; literary examples
Barry Lane
REVISER’S TOOLBOX p. 96-107; 292 and AFTER THE END p. 67-70; 69-70; 71-75; 78-79
Using your Senses
Teach students to observe the world through the eyes of a writer; live a “writerly life”
Creates vivid pictures/images
HAILSTONES and HALIBUT BONES organizer; literary examples
IF YOU WANT  TO  FIND  GOLDEN (Spinelli) and HAILSTONES AND HALIBUT BONES(O’Neill)
Author’s Craft
“technique”
Description
Advantage
Strategy for Teaching
Resource(s)





Close-Echo
Repetition that creates a mood or special effect
Adds a new dimension
Literary examples
Katie Wood Ray
WONDROUS WORDS
p. 164-165
Use of Proper Nouns
Instead of shoes, say HushPuppies
Lends a sense of authority to the piece
Literary Examples

Katie Wood Ray
WONDROUS WORDS
p.169-170
Striking Verbs


Using a strong verb often eliminates the need for adverbs
Eliminates lifeless writing and enables the reader to create vivid pictures and imagery
Literary examples; “reading like a writer” during reading workshop
Katie Wood Ray
WONDROUS WORDS
p.167-168
Whispering Parentheses
An aside from a character
Develops character; adds humor or sarcasm
Literary examples
Katie Wood Ray
WONDROUS WORDS

Crafting a Strong Lead
Different pathways to enter a story/topic
Allows students to experiment with more than one lead to discover which is best
Mini-lessons; teacher modeling;
noticing good leads in textbooks and articles; practicing multiple leads
Ralph Fletcher CRAFT LESSONS
and


Writing Effective Conclusions
Summary and Insight/New Learning/New Questions
Wraps and demonstrates a new understanding
Mini-lessons; noticing good conclusions in textbooks; teacher modeling, experimenting with multiple conclusions for a single piece of writing
Ralph Fletcher CRAFT LESSONS
and


Finding a Focus 2
Finding the best part of the story to tell.
Helping children recognize the special parts of their stories – the part that needs to be told & to help identify the unnecessary details.
Mini-lesson using a “bed to bed” story or a very busy photograph
CRAFT LESSONS
Fletcher & Portalupi p.79

Author’s Craft
“technique”
Description
Advantage
Strategy for Teaching
Resource(s)





Pruning the Bushes

Teaching children how and why to take out sentences from their paragraphs.
Revision is often avoided and this lesson helps children see how ineffectively placed sentences makes their good paragraphs sound worse.  Hopefully it will encourage them to revise.
Mini-lesson with practice on story excerpts provided in the Appendix of the book.
CRAFT LESSONS p.82
Selecting the Right Lead

Teaches that each writing piece must have its own, individual lead.
Once students begin to have fun with first paragraphs, they get away from the predictable ones. 
Mini-lesson with examples provided in the Appendix of the book.  Once you see it in your students’ writing, reinforce the skill by copying student work (with student permission) and exploring it as a class as a mini-lesson in the future.
CRAFT LESSONS p.83
Varying Sentence Length

This lesson gives examples of complex and simple sentences mixed together with a clear purpose.
This lesson helps explain that part in the writing rubric that talks about varying sentence length.  It gives children concrete examples.
Mini-lesson with examples in the Appendix along with a literary reference.
CRAFT LESSONS p.85
Naming a Place or Character

How to more effectively introduce a place or a character into a story.
Bringing to our students’ attention how writers effectively and cleverly choose characters and locations can quickly add style to their writing.
Mini-lesson with examples in the Appendix as well as literary references.
CRAFT LESSONS p. 88
Adding Setting to a Scene
Ways to bring student writers closer to the subjects they choose.
A variation on “show, don’t tell”, this lesson continues to have children add the small details about the topics that are important to them.
Mini-lesson with suggested literary resources.
CRAFT LESSONS p.94





Author’s Craft
“technique”
Description
Advantage
Strategy for Teaching
Resource(s)





Slowing Down the Hot Spots
Teaching writers to give importance to big events, and little importance to little events.
Helping children to recognize the parts of stories that need more description, while other parts should have details eliminated.
Mini-lesson with suggested literary resources.
CRAFT LESSONS p. 97
Exploratory-Making it Lively
Informational writing can be entertaining – but it’s not a narrative.
Children need to see that informational writing has style, yet it sticks to informational guidelines.
Mini-lesson with an excerpt provided in the Appendix.
NONFICTION CRAFT LESSONS p. 83
Writing a Flash Draft
How to use an anecdote in informational writing. Goes along with a “Using Anecdotes To Teach” – pg. 98
Works well for introductions and conclusions in research papers and information prompts.
Mini-lesson using former students’ research papers and the example in the lesson.
NONFICTION CRAFT LESSONS p. 84
Describing Your Subject
Descriptive writing for all 3 writing modes.
Examples to show students how information can be conveyed in a narrative format.
Mini-lesson using the example from the Appendix.
NONFICTION CRAFT LESSONS p. 89
Including Quotations
Using a quote effectively in an informational piece.
Gives an example of how a quote can pull in the reader emotionally in an informational piece.
Mini-lesson with an example in the lesson. 
NONFICTION CRAFT LESSONS p. 91
Transitions-Paragraphs
Connecting paragraphs smoothly but going beyond that “transitional word.”
Shows children how to purposefully connect each paragraph to improve their style.
Mini-lesson using the example from the Appendix.   Once you see it in your students’ writing, reinforce the skill by copying student work (with student permission) and exploring it as a class as a mini-lesson in the future.
NONFICTION CRAFT LESSONS p. 93





Author’s Craft
“technique”
Description
Advantage
Strategy for Teaching
Resource(s)





Using Anecdotes to Teach
Using an anecdote leaves an image in the mind of your reader.
Often informational writing leads to lists of facts, which leads to low scores in style and possibly content.  This offers a solution to both.
Mini-lesson with an example in the lesson and a literary resource.
NONFICTION CRAFT LESSONS p. 98
Airing Opposing Points of View
Teaching persuasive techniques.
Introduces some ways to approach a persuasive argument. 
Mini-lesson with an example in the Appendix.
NONFICTION CRAFT LESSONS p. 103
Using Humor
No mode of writing requires complete seriousness, and humor may be the only way for some kids to break the ice and get writing.
Many children read humorous books and humor comes naturally to many children.  If used appropriately, it can help style develop quickly.
Mini-lesson with an example in the Appendix and a literary example.
NONFICTION CRAFT LESSONS p.104
End With a Bang
Ways for students to leave the reader with something special, rather than just another ending.
Students are often anxious to “be done.”  This lesson leads children to leave the reader with an image or emotion at the end. 
Mini-lesson with an example in the Appendix.
NONFICTION CRAFT LESSONS p.106